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SELECTED *SOLO AND GROUP EXHIBITIONS:
|
| -2009/10- |
HERMITAGE MUSEUM, St. Petersburg, Russia, "Sonic Self-Mosaic Wall" in association with Media Art Lab at St. Petersburg, guest curator ( www.cyland.ru/index.php?option=com_content&task=view&id=159&Itemid=30 ) |
| -2008- |
CHELSEA ART MUSEUM, NYC, "THE SONIC SELF ", curator ( http://www.chelseaartmuseum.org/portfolios/sonic-self-an-exhibition-exploring-sound-related-art/ )& ( www.thesonicself.org ) |
| -2006- |
HERMITAGE
MUSEUM, St. Petersburg,
Russia, "UNAUTHORIZED ACCESS", curator (www,hackersinternational.com/access/) & (www.hermitagemuseum.org/html_En) |
| -2004- |
CHELSEA ART MUSEUM, NYC. Visual support for HPSHD by John Cage and LeJaren Hiller, concert series of Electronic Music Foundation at CAM. |
| -2003- |
CHELSEA ART MUSEUM, NYC, "The Sonic Self", guest curator (www.thesonicself.org/presentation.htm) |
| -2002- |
LIBRARY OF CONGRESS US, Great Hall, Thomas Jefferson Building, Washington D.C., "Witness and Response: September 11 Acquisitions at the Library of Congress".
AQUATIC CREATIONS, Brooklyn, NYC, "Illuminated Self", curator.
WHIPPLE, Museum at Southwest State University, Minnesota, "Digital Prints".
450 BROADWAY, NYC, "Motion", curator.
EXIT ART, NYC, "Reactions" a Global Response to 9/11. |
| -2001- |
D.U.M.B.O., MASTEL + MASTEL Gallery, NYC, "Digital DUMBO"
SPACE ONE ELEVEN, Birmingham, "Visual Dialogue Project".
MUSEUM OF NEW ART, Detroit, "Documenta USA".
VENICE BIENNALE, Church of S. Maria Ausiliatrice, Italy, "RE: DUCHAMP", Inependent Curatorial Project.
MONIQUE GOLDSTROM Gallery, NYC, "Photography 2001".
LA SAPIENZA UNIVERSITY, Rome, Italy, "Art -Science Fusion".
KULTURVEREIN SCHLOSS GOLDEGG, Goldegg, Austria, "Art -Science Fusion".
|
| -2000- |
MONIQUE GOLDSTROM Gallery, NYC, NY "Taking Pictures"
MONIQUE GOLDSTROM Gallery, NYC, NY "Black and White", Digital Prints.
|
|
-1999-
|
SIEMENS NIXDORF Gallery, Munich, Germany, "Taking Pictures".
MONIQUE GOLDSTROM, NYC, "Woman Photgraphy and Prints".
EMMANUEL HELLER Gallery, Tel-Aviv, Israel, "Re: Duchamp".
HOFMEISTERHAUS GALERIE, Massing, Germany, "Taking Pictures".
KULTURBANHOF Kunstwerk, Bremen, Germany, "Re: Duchamp".
FOTOGALERIE LichtSchatten, Regensburg, Germany, "Taking Pictures".
|
|
-1998-
|
KUNSTWREK Project, Burghausen, Germany "Zapf Series & Binary Identity"
EIGHTH FLOOR, New York City "Country Without Borders", curator
TRANS HUDSON, New York City " Binary Code", multimedia immersions, curator.
|
|
-1997-
|
HOFMEISTERHAUS Galerie, Massing, Germany "Digital Works".
HOFMEISTERHAUS Galerie, Massing, Germany "Winter Exhibition".
EIGHTH FLOOR, NYC, "Mission to Mars", curator.
SALA di FRANCO, Trieste, Italy, "Antologica - The Power of Words and Signs".
EIGHTH FLOOR, NYC, "W/B".
INDEX Gallery, Osaka, Japan, "The Power of Words and Signs".
CONSULATE GENERAL OF THE REPUBLIC OF POLAND, NYC, "Pomoc".
CASA Gallery, Tokyo, Japan, "The Power of Words and Signs".
EIGHTH FLOOR, NYC, "TLØN", curator.
|
|
-1996 -
|
MONIQUE GOLDSTROM, NYC, "Group Exhibition".
450 BROADWAY, NYC, "Sonic Identity", curator.
BARBARA REGUL, Wasserburg, Germany, "Instrips".
|
|
-1995 -
|
*SYNCHRONICITY SPACE, New York City "Harmony & Vibration"
|
|
|
|
NET & SOUND ART/NEW MEDIA:
|
| -2005- |
UNAUTHORIZED
ACCESS, Net based project in
conjunction with NY Arts magazine |
| -2002- |
SOUNDSCAPES AND MEDIA ART in conjunction with NY Arts magazine |
|
-2001-
|
D.U.M.BO., "Digital DUMBO", Internet art presentation
SPACE ONE ELEVEN, Birmingham, "Visual Dialogue Project" - The Internet as a vehicle to exchange images and concepts between the artists.
MUSEUM OF NEW ART, Detroit "Documenta USA"
"INTERACTIVE MEMORIAL" WTC, September 11, 2001
XI BIENNIAL DE CEREVEIRA, Cerveira, Portugal, "Art, Science and Technology" |
|
-2000-
|
"EXTRUDE IDENTITY II" - In conjunction with Educational Broadcaster in Alberta in association with Athabasca University, Canada, "Psychology Online: Personal Implications of the Internet".
|
|
-1999-
|
THE MUSEUM OF MODERN ART, NYC, Online Participation "Allan McCollum: The Registration of An Artwork".
KEIO UNIVERSITY, Tokyo, Japan, "0 and 1", Art Communication, Internet Project.
|
|
-1998-
|
Trans Hudson Gallery, NYC, "Binary Code", Multimedia Installation and Internet Art Happening; curator, artist.
|
|
-1997-
|
Eighth Floor Gallery, NYC, " Mission to Mars", Audio-Visual Happening, Multimedia Installation, artist and curator.
Eighth Floor Gallery, NYC, "TLØN" Audio-Visual Happening, Multimedia Installation, curator.
"Numbers & Calculators", Audio-Visual happening, Multimedia Installation different locations, curator.
|
|
-1996-
|
450 Broadway Gallery, NYC, " Audio-Visual Immersions", Happening, Multimedia Installation, curator
|
|
|
|
SELECTED COLLECTIONS:
|
| September, 2002 |
Since September, 2002
Permanent Collection of Library of Congress, Washington D.C., US (
http://www.loc.gov/exhibits/911/images/01695r.jpg )
|
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BIBLIOGRAPHY:
|
| April, 2006 |
The St. Petersburg Times, Russia – "Art in cyberspace”
ARTS + FEATURES
Andrei Vorobei |
| April, 2003 |
Zycie Pabianic, Pabianice, Poland – "Zakrecona"
Kronika Kulturalna (Fine Arts)
Andrzej Adamczewski
|
| January, 2003 |
Nowy Dziennik, NYC – ‘The Illuminated Self’
Nowojorska Kronika Kulturalna (Fine Arts)
Czeslaw Karkowski
|
| October, 2002 |
NY Arts Magazine, NYC - ‘Witness and Response: September 11 Acquisitions
at the Library of Congress’
|
April, 2002
|
NY Arts Magazine, NYC - 'Motion'
Pal Moore
Przeglad Polski, NYC – ‘Art at 450 Broadway Gallery’
Nowojorska Kronika Kulturalna (Fine Arts)
Czeslaw Karkowski |
December, 2001
|
NY Arts Magazine, NYC - "Visual Dialogue Project"
Derek Cracco
|
October, 2001
|
Flash Art - "Documenta USA"
|
January, 2000
|
Der Lokaletil, Massing, Germany - Maria Trager
"Taking Pictures von sechs Kunstler aus Bayern und USA in Massing"
Mittwoch, Massing, Germany - Rupert Schreiner
"Sechs Kunstler mit Taking Pictures im Hofmeisterhaus in Massing"
|
December, 1999
|
Mittwoch, Massing -"Bayerisch-amerikanischer Blick durch Sucher"
Massing, Germany
|
November, 1999
|
Munchner Zeitung - "Foto-Ausstellung Taking Pictures macht auf dem Weg nach New York im Hofmeisterhaus in Massing Station"
Munich, Germany
Arte-Kunst-Magazin, Munchen -"Ausstellung im Siemens Financial Services"
Milena Greif
|
|
October, 1998
|
Landkreis Altotting, Germany -"Identitat:gesplitter-gelacht-geleimt"
Thomas H. Kaspar
|
|
September, 1998
|
NY Arts Magazine, NYC - "The Sociological Significance of the Art/Technology Interface"
Grald O'Connell
|
|
September, 1998
|
Nowy Dziennik, NYC - "Art Without Borders"
Czeslaw Karkowski
|
|
November, 1997
|
Art News- "Digital Art"
Munich, Germany
|
|
June, 1996
|
Nowy Dziennik -"Debut in SoHo"
Marek Bartelik, Ph. D.
|
|
November, 1995
|
Wasserburg News -"From Pop To Mysticism"
Wasserburg, Germany
|
|
September, 1994
|
Our Town, NYC -"Abstraction a Go-Go"
Shlomo Mantz
|
|
July, 1994
|
Dziennik Nowojorski, NYC -"Vertigo Artists"
Polish Publication
|
|
September, 1994
|
Rock & Jazz, NYC-"New York Artists"
Julian Fave
|
|
November, 1993
|
Kurier, NYC -"Polish Artists in New York"
Polish Publication
PTV, NYC -"Hypo-Hyper Performance"
WNYC
|
|
|
|
SELECTED WRITINGS & PUBLICATIONS:
|
| 2002-2006 |
NY Arts Magazine, NYC - "Soundscapes::Soundworks"
Sound Art series by Jolanta Gora-Wita
|
| 2002-2006 |
NY Arts Magazine, NYC - Net Based Art
Jolanta Gora-Wita and Anna Frants
|
| 2006 |
“Early Polish Modern Art: Unity in Multiplicity” by Marek Bartelik, NYC
Graphic Design by Jolanta Gora-Wita
|
|
January, 1999
|
NY Arts Magazine, NYC - "The Internet as Art Medium" Panel Discussion @ Parson School of Design
Jolanta Gora-Wita
|
|
September, 1997
|
NY Arts Magazine, NYC - "DJ Spooky - Subliminal Loops", Interview with Paul D. Miller aka DJ Spooky that Subliminal Kid
Jolanta Gora-Wita
|
|
July/August, 1997
|
NY Arts Magazine, NYC - "Soundlab-Cultural Alchemy ", Interview with Beth Coleman and Howard Goldkrand
Jolanta Gora-Wita
|
|
|
|
EDUCATION:
|
1998-2000
1993-1996 |
New School University, CIC, New York City
State University of New York, F.I.T., New York City |
|
BIOGRAPHY:
|
 |
Jolanta Gora-Wita is a Polish-born media artist and independent curator living and working in New York City since 1986. In September 2002, work by Gora-Wita was added to the Permanent Collection of the Library of Congress in Washington D.C.. She has been featured in group shows at museums, galleries and cultural centers in Europe and the US, including L'Universita di Roma La Sapienza, Rome, Italy; Kulturverein Schloss Goldegg, Goldegg, Austria; Kunstwerk Project, Galerie Hofmeisterhaus, Fotogalerie LichtSchatten, Siemens Nixdorf Gallery in Munich, Germany; Whipple Gallery at Southwest State University in Marshall, Minnesota; and Museum of New Art, Detroit. She was presented in Japan at Index Gallery, Osaka and Casa Gallery, Tokyo. In New York City, Gora-Wita has shown at D.U.M.B.O. Mastel + Mastel Gallery; Monique Goldstrom; Eighth Floor Gallery; Trans Hudson; 450 Broadway and more. (...) She was also featured artist in a group exhibition at the Consulate General of the Republic of Poland. Combining the roles of artist, art activist, and curator, Gora-Wita has organized numerous Global New Media exhibitions including “Unauthorized Access “ at Hermitage Museum, St. Petersburg, Russia; "The Sonic Self" at Chelsea Art Museum; "TLON" and "Mission to Mars" at Eighth Floor Gallery; "Sonic Identity" at 450 Broadway; and "Binary Code" at Trans Hudson Gallery.
These audio-visual-driven, ambient events have extended her work in the domain of sound art; Gora-Wita wrote as Sound/Media Art Editor for NY Arts Magazine 2002-2006.
Fascinated with electronic culture and its implications, Gora-Wita uses emergent technology to explore ancient concerns about the limits of the possible, the efficacy of communication, and human interactions in the modern culture.
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